Felix has been DJing and producing music for nearly 20 years, yet because of his many monikers people often believe they’re “not totally familiar” with his sound. Upon closer inspection most discerning DJs realise they have at least one of his tracks in their box.

At 20, Felix organised a four-day free festival in Sussex. Collaborating with the D.i.Y Soundsystem from Nottingham and calling on the DJs from the Tonka Crew… the police road blocks and helicopters (go Felix!) couldn’t stop the party as it was pre-Criminal Justice Act and 4,000 people danced all weekend. In 1992 Felix moved to Brighton where he got together with a number of close friends to form the monthly Slack nights, which although being held on a Monday night would attract party people from all over the country, and would always follow with a party on the beach or some local warehouse.

When Slack finally split it allowed Felix to change direction and to set up the Ugly Music record label with friend and local record shop owner Tony Lee. The label released music from K-Alexi, Underground Evolution, DJ Harvey and Jamie Reed, among others. It was at this time that Felix began his DJ residency at the Joint nightclub with Jamie Reed (L.H.A.S) and Bobby Coulman (Soft Rocks) where he played every month from ’95 to 2000.

Since his move to London from the South Coast in 2000, Felix has been producing records under a string of aliases including L.H.A.S Inc, Foolish & Sly, Das Etwas, The Mythical Beats and Dedication. Most recently he’s been remixing for DFA, Juno Records, Jazzy Sport, Far Out and DJ History, and his new project Fist Club and the Milky Mouth Orchestra with Gerry Rooney (Black Cock) is due for release any time now. His DJing had taken him as far as America, Japan, Australia, Sweden, Greece, Poland, Austria, France, Finland and Hawaii as well as playing London’s Glastonbury with Horse Meat Disco’s New York Downlow, and Lovebox and Garden Festival Croatia.

With heavy praise and a Myspace sign up from Italians Do It Better boss – Mike Simonetti, Bottin has been the ambassador of Italian Disco for a while now. Although many have come before him, during the current disco resurgence Bottin’s playful and almost kitsch tracks have done him plenty of favours. His original tracks and remixes are creating buzz from Sydney to Istanbul.

It was the 2009 releases of “No Static” on Simonetti’s Italians Do It Better and his remarkable “Horror Disco” on Bearfunk that really put him on the map, but with remixes of Lindstrom, In Flagranti and locals Lost Valentinos all circulating Bottin has proved his isn’t going anywhere.

“Bottin makes music only an Italian can make... probably. Take a youth spent against a background of old Italian Giallo soundtracks, add in late 70s Italian disco influences, a touch of free and easy west-coast vibe and a smattering of kitsch. That just about half describes Bottin. Horror Disco is an impressive work with a rare attention to detail and after some seriously impressive listening, you'll know you have just found your favorite new Venetian.”
– Bearfunk Records

“Bottin is the first artist we released through myspace. He is that good! He sent us a message and the rest is history. Me and Johnny (Glass Candy, Chromatics) felt the tracks immediately. I love his attention to detail when he makes a track. His knowledge goes deep, his edits are superb, and his synths sound warm. What more can you ask for? Oh wait - he's Italian. That's the best part.”
– Mike Simonetti, Italians Do It Better

Bottin’s sets are an unpredictable journey into space disco, italo rarities, and deep funk. A reckless blend of retro-futuristic sounds and contemporary electronica that always sets the dance floor on fire.

AUSTRALIAN TOUR DATES

September 24th: Good God Small Club, Syd
September 25th: Sugar Club, Adelaide
October 1st: New Guernica, Melbourne
October 2nd: Lick It, Barsoma, Brisbane

Eric Duncan aka Dr Dunks is a true new-era disco legend. He kick-started his career with pal Thomas Bullock (Map of Africa, The Laughing Light of Plenty) after meeting through a mutual friend working at Sarcastic clothing in LA. Random chance and coincidence soon found the two of them together on the other side of the continent, pumping beats into the heart of New York City's underground scene. A friend's acquisition of a Chinese Rub N Tug massage-palace-cum-loft-space sparked a series of raucous parties where rooms were torn down, both literally and figuratively, as 300-400 people shuffled to their wild disco mashups – and so Rub N Tug was born.

As a duo they released a string of remixes, edits and DJ mixes including a superb mix CD in the Fabric series and remixes for LCD Soundsystem, Roxy Music, David Gilmour Girls, Zero7, !!! and even Coldplay.

Flying solo, Eric started his own edits label, C.O.M.B.i., which has risen to become one of the most sought after top-shelf edits series’ in the recent wave of disco edits. DJ Harvey has declared Dr Dunks to be ‘pretty much the best editor on the planet today’ – strong words coming from the father of the edit culture revival.

Since 2007 Eric has been producing with Liv Spencer (House of House) as DFA super-duo Still Going, responsible for one of 2009’s most spectacular party anthems Spaghetti Circus. They’ve emerged as one of the most in demand remixers around, lending their touch to tracks by Crazy P, The Presets, Doves, Bot’ox, Groove Armada and Force of Nature.

AUSTRALIAN TOUR DATES

December 31st: Warehouse TBA, Syd
January 1st: Mercat Basement, Melb

DJ HARVEY (Map Of Africa, Locussolus, Sarcastic Disco, Black Cock, USA)

DJ Harvey is absolutely his own man; he is a near mythical character, whose fans and followers refer to themselves as his cult, or studymasters. Harvey's musical style cannot simply be filed as eclectic or retrospective, he plays whatever he feels, as he feels it, he is an analogue loving DJ that utilizes reel to reel and effects all conjured live. He is respected and in demand the world over to supply the sounds for a vast array of clubs, fashion shows, films and private events. His clients not only include some of the worlds greatest clubs and promoters including Pacha, Yellow, LOVE, Santos, Ministry Of Sound, Fabric, Cielo, Respect in Paris, Deepspace, Adult Section, Mr Saturday Night, Deep L.A, but also such esteemed companies as Calvin Klein, Antonio Berardi, Ted Baker, Burberry, Sarcastic, Levis, Fresh Jive and Diesel.

He has also DJ’d at many Galleries and exhibitions including PS1 in Brooklyn, NY Contemporary in Manhattan and thirtyninehotel in Hawaii for which he serves as creative director and musical curator.

He has re-mixed and produced a vast array of artists such as Jamiroqui, The Police, Ian Brown, Brand New Heavies, Tommy Guerrero, Lindstrom and Prins Thomas, The Avalanches, House of House, as well as releasing tracks on Mo Wax, Nuphonic, Whatever We Want, Southern Fried and Ministry Of Sound and his own irreverent disco edit label Black Cock.

His band project, Map Of Africa, have released an album to critical acclaim and they are about to release a second. An avid surfer skater Harvey provided the soundtrack to accompany original Dogtown and Z Boys Skater - Tony Alva’s exhibition that took in cities from Tokyo and LA to New York. He is loved as a guest radio host on shows such as Beats In Space, Radio 1's Essential Mix, KCRW's The Drop and was invited to guest lecture at the Red Bull music academy. He is currently gathering material and anecdotes for a coffee table book, as well as tweaking the second single of his new band project entitled Locussolus to be released in summer 2010 on International Feel. His occasional parties in L.A Harvey’s Sarcastic Disco (a collaboration with the clothing label of the same name) are among the most revered parties in the world with party-goers flying in from all over the world to attend.

Although hailing from London, DJ Garth is best known for being at the forefront of the San Francisco scene since moving there 20 years ago.

As part of the Wicked Crew along with Thomas Bullock (Rub N Tug, Markie and Jeno) Garth was responsible for reviving the city's dance scene in the early '90s and ushering in the acid house/rave phenomenon.

The Wicked crew played host to a who's who of dance music legends including DJ Harvey, Tony Humphries, Doc Martin, Louis Vega, Roger S, Robert Owens, DJ Pierre, Joe Claussel and Francois K.

During this time Garth also cemented his reputation as one of the US's top DJs (as voted for in XLR8R, DJ and Urb magazines).

By the end of the millennium he'd started the record label Grayhound and has released over 50 records to date including artists such as Perry Farrell, DJ Harvey, Rocket, ETI, The Glimmers, Ray Mang, Michoacan, DJ Rasoul, Nectar, Stranger and, of course, his own output.

More recently Garth has teamed up with collector/dealer James Glass breathing life into diggers delights from disco and rock obscurity as King & Hound on the Golden Goose imprint.

Graeme began producing in his early teenage years, making a skewed blend of electronic music using a couple of his dad’s old drum machines and a sampler. Influenced by his parents collection of rock, soul and funk as well as eighties daytime radio and the burgeoning rave scene, he began the process of dissecting and re-imagining the music. His distinct style is deeply soulful and he beautifully transposes his musical roots into the modern dance music scene. Graeme’s influence on the current deep re-edit sound has been preeminent and shows no signs of slowing.

Productions for his own labels Instruments Of Rapture, Five20East and his DJ edits for L.E.S.S. Productions have had across-the-board support from scene heavyweights including Danny Krivit, Jimpster, Radio Slave, Prins Thomas,Todd Terje, The Unabombers, Gilles Peterson, Ashley Beedle, Joe Claussell, Stuart Patterson, Atjazz, Bill Brewster, Tim Sweeney and more.

DJ work over the years has included spots with Joe Claussell, Mark E, Jeff Mills, Jazzy Jeff, MAW, Sinden, and more. In 2010 Graeme has played at Fabric, Ministry of Sound’s 19th Birthday, Warm’s 11th Birthday alongside Sebo K, Horse Meat Disco and Cottam, and was handpicked by DJ Harvey to play at the Miami Winter Music Conference. He also headlined a spectacular sold-out Picnic party at the Civic and will be bringing in 2011 with the post-midnight set at Falls Festival in Lorne.

Graeme has also provided his engineering experience to several projects over the past few years and has recently mastered Harri & Domenic’s 20 Years Underground / Sub Club mix for Soma as well as new material for Mark E, Jisco, Under The Shade and Fine Art Recordings. His other collaborative projects currently include Deportivo Street Team, OOFT!, Cronk Family Enterprises, 6th Borough Project and The Hong Kong Micros. Amongst his credits for 2010 are releases on Disco Deviance and Motor City Drum Ensemble’s label MCDE as well as remixes for Holy Ghost!, KZA, Illja Rudman, Runaway and Faze Action.

AUSTRALIAN TOUR DATES

DECEMBER 31st: Falls Festival, Lorne VIC
JANUARY 1st: Summadayze, Melbourne
JANUARY 7th: TBA
JANUARY 8th: Picnic w/ Brennan Green, Sydney
JANUARY 15th: Sugar Club, Adelaide
JANUARY 16th: Sets on the Beach, Perth

Justin Vandervolgen has a history spanning the last 13 years in the dance/disco community. He was both one of the founding members and the producer of !!! and Outhud and released remixes on Warp, EMI and Output. In 2003 Justin produced the seminal !!! record 'Me and Guliani Down By the Schoolyard' which became a UK dance chart hit and helped to bring the emerging early 2000s sound of NY dance music to the rest of the world.

Two years prior to this Justin had moved to New York and began DJing at some of the best parties and after hours spots in the city. In 2008 he left !!! to focus on producing, remixing and DJing. The same year he released his first edits 12" under his Try To Find Me guise on Golf Channel Recordings, one of the most exciting and talked about labels of the past few years. 2009 saw the first TBD record unleashed, a project with Brooklyn pal Lee Douglas. 'What Is This?' found its way into some of the the planet's top DJ bags and instantly made the duo one of the spiciest names in electronic music.

Since then they've released an original record on DFA, remixes for Runaway, Cos/Mes and Permanent Vacation, another colossal rework ('Get To My Baby') on Golf Channel and their own edits 12" 'Takes One To Make One'. Justin's 'Try To Find Me vol 2' compilation was hailed as one of the finest mixes of 2009 and exemplifies his skill as a DJ and passion as a record collector. 2010 will see the release of his own solo productions, various remixes and edits as well as new TBD material.

AUSTRALIAN TOUR DATES 2011

   
Saturday 19th March - Picnic @ Good God Small Club, 55 Liverpool St, Sydney

Sunday 27th March - Absolute Vodka event, Sydney

Originally from Nottingham, now Berlin based DJ/Producer Danny Berman (aka Red Rack'em/Hot Coins) has had a pretty hectic couple of years. He performed at the Radio 1 Worldwide Awards, Snowbombing, Garden Festival, Glastonbury and The Big Chill as well as releasing massive house and disco records on record labels including Tirk, Untracked, Home Taping and Undertones. Danny is also an acclaimed remixer for artists such as Tricky, Joubert Singers, The Revenge, Ron Basejam and his Smugglers Inn radio show/podcast regularly pulls in thousands of listeners around the globe with upfront selections and guestmixes.

Danny has just launched his own label Bergerac and October saw the release of his critically acclaimed debut album 'The Early Years', a mix of deep house, disco, beatdown and electro boogie. The first single on Bergerac 'How I Program' has gone down as a bit of techno classic with support from a wide range of DJs including Motor City Drum Ensemble, Kyle Hall and Gilles Peterson. Danny has just returned from launching the album in Japan and will continue his Early Years album tour into the new year with DJ dates in Berlin, Belgrade, Zagreb, Vienna and Tallinn.

Gilles Peterson has been his biggest supporter, describing Rack’em as ‘not being able to put a foot wrong right now’. He invited Danny to play at the 2009 Worldwide Awards where he had the honour of playing straight after Jazzanovas first ever UK live set. Dannys DJ set was then broadcast on Radio 1 after the awards on the Worldwide show and it got a fantastic response around the globe from the listeners. 2011 looks like an even busier year with more Bergerac singles on the way, the long awaited Hot Coins album and the launch of a vinyl only label 'Nettles'

THE AMAZING RED RACK'EM WEBSITE http://www.redrackem.com/

MIXES

Best Of 2010 Podcast

http://www.redrackem.com/smugglers-inn-2/smugglers-inn-best-of-2010-podcast.html

DJ History Mystery Mix

http://www.djhistory.com/mixes

VIDEOS

Early Years Launch at Phonica Records, London

http://www.youtube.com/watch?v=xAnhgGkuWHA

http://www.youtube.com/watch?v=ZBh8B1Bk4GU

http://www.youtube.com/watch?v=PlTRpIr-iuU

DATES:

Monday 2nd May - Module, Japan

My Cousin Roy is that cool, distant relation from New York you're always looking forward to seeing. Roy's the life of the party, endlessly entertaining with seemingly boundless energy. Certainly not bad traits for any of the roles the man assumes, from the Wurst label boss to globe-trotting DJ to one-half of production outfit Beg to Differ.

Roy Dank to his parents, and now everyone’s “cousin”, the man first made a name for himself in music back in the early 2000s, exploring the deeper side of drum & bass with his friends as Mathematics. Following acclaimed releases on Hospital and Renegade, as well as gigs at storied venues Twilo and Centro-Fly in NYC, and Movement in London, Roy grew tired of d&b and instead put the focus on the music he had been collecting for years - disco, boogie, deep house, Detroit techno, dub reggae, and even the odd bit of post-punk and industrial.

In 2003, he partnered with disco hero Brennan Green for the Pop Your Funk monthly at APT, sharing the decks with the best of them, including a now-legendary closing night boasting Lindstrøm & Prins Thomas’ US debut in 2005. However, it was Roy’s foray into the edits world the following year which turned heads the world over.

Wurst Edits was originally conceived of as an outlet for Roy’s own edits of yesteryear’s clandestine disco, and much to his surprise, quickly found favor with a broad spectrum of discerning DJs, from techno legend Carl Craig to DFA & LCD Soundsystem main man James Murphy. However, Roy couldn’t resist expanding the label’s ranks upon discovering Runaway’s initial forays into production, both of which eventually found their way onto The Glimmers’ Eskimo V mix and Lindstrøm & Prins Thomas’ BBC Essential Mix in 2007. But edits only seemed to be the beginning of the Wurst story.

2009 saw the re-launch of the label as The Wurst Music Co, with the focus shifting to original productions, including cult classics from Brennan Green (“My First House”) and Neurotic Drum Band (“Robotic Hypnotic Adventure”). At the same time, Roy linked with longtime friend and house hero Nick Chacona to form Beg to Differ. 2010 proved to be a banner year for My Cousin Roy, having mixed a highly regarded podcast for XLR8R Magazine, a nonstop touring schedule, and a steady stream of Beg to Differ remixes for such labels as Moodmusic, Thisisnotanexit, Under the Shade, and Warp. In fact, their rub of Bibi Tanga & The Selenites’ “Be Africa” found its way onto Tim Sweeney’s Best of 2010 list, not to mention support from such luminaries as Harvey, Horse Meat Disco and Mark E.

Roy now splits his time between the studio and touring, DJ’ing everywhere from Reykjavik to Istanbul, London to Los Angeles, Berlin to back home at his residencies at subMercer and The Ace in New York. And there seems to be no letting up, what with plenty more Beg to Differ remixes in the works, the duo’s artist debut, and of course, the growing profile of his Wurst label. The Wurst has yet to come, indeed...

Dates:

Saturday 21st May - Picnic @ Adult Disco, The Civic Underground, Sydney

FUN FACTS ABOUT MIKE

1987: Sneaks out of his house to go to his first hardcore show at CBGB at age 15.

1988: Got a job as a lowly receptionist at legendary club Mars in NYC through a friend in Feb when he was 16.

1988: Spends most nights hanging out by the dj booth watching a young Moby, Funkmaster Flex, and Frankie Knuckles DJ instead of working...

1988: Worked his way up to "promoter" by mid 1988 going to clubs and handing out flyers

1989: Promoted his first party at Mars called 'FRIDAY NIGHT FEEVER' in March. A disco themed party…the only one in NYC at the time. DJ Duke Of Denmark was the resident.

1992: Started Troubleman Records with money saved from working as a stockboy at a supermarket.

1993: Started DJing house parties and lofts for fun

1996: Signed Glass Candy in 1996

1997: Got first "real gigs" in NYC

1998: Starts the CONTORT YRSELF party in the basement of the Knitting Factory playing post punk, disco, funk and hip hop lasts until 9/11 shuts the club down for almost a year.

1999: Becomes a 'resident' at the infamous HAPPY BIRTHDAY HIDEOUT parties in Brooklyn…bookings increase throughout the hip parties in NYC.

2000: Becomes a 'resident' at Rubulad which he still holds to this day. Known as the best loft party in Brooklyn, his 8hour sets are legend.

2000: Becomes a resident at Lit Lounge in NYC, a legendary party thrown by Justine D. Was one of the first DJs to try out disco and house downstairs.

2000: becomes a semi regular resident DJ at MOTHERFUCKER in NYC. The essential downtown club kid party and recognized as one of the best NYC parties of the era.

2002: Starts the AEROSOL BURNS party in Brooklyn. All night parties become legendary. The Fall plays unannounced show. Capacity of bar is 70 people.

2003: Cops raid AEROSOL BURNS at 11am, everyone gets arrested. Party ends.

2004: Troubleman signs CHROMATICS, releases HEALER 12". It sells out in a week.

2004: Begins DJing seriously, traveling all over the world to play records to people in any club they will have him

2005: Glass Candy plays their last show with a drummer, opting for a more electronic, dancey sound.

2008: Mike and Johnny (Glass Candy) start an offshoot of Troubleman for dance music in Mike's kitchen while drinking red wine. They call it Italians Do It Better as a joke thinking it wouldn’t be a big deal.

2008: After Dark compilation is released, and a mini revolution is born and the bar is raised...

TODAY: DJing all over the world, making music, remixing, editing, breaking tracks, playing super rare disco record and avoiding being trainspotted.

VERY NEAR FUTURE: Releases his first album of orginal music, Capricorn Rising.

ITALIANS DO IT BETTER

http://vivaitalians.blogspot.com

MIKE’S LATEST DJ MIX LINKS

http://soundcloud.com/mike-simonetti

MIKE’S MINDBLOWING PICNIC EXCLUSIVE 2011 TOUR MIX
http://soundcloud.com/picnic-touring/mike-simonetti-exclusive

TOUR DATES

Thursday 15th September - Sugar, Adelaide
Friday 16th September - PICNIC @GoodGod, Sydney
Saturday 17th September - New Guernica, Melbourne

From ‘Voodoo Ray’, the track that practically defines acid house, to modern day live gigs that will
become the template for DJing of the future, this Berlin-based, Manchester-born pioneer, with 9
artist albums in a 25 year career, is an international name that has defied genres and continues to
push the boundaries of what is possible in the world of electronic music, both in the studio and in
the club.

2011 and Gerald Simpson is still the revolutionary, making the concept of the DJ extinct in terms of
how we once knew it. Not only is A Guy Called Gerald unique in that he brings his entire production
suite into the club for every performance, but it is a genuine LIVE act; a constant interaction with the
crowd, a fluid jam session with an instinctive keyboard riff just as likely as a flurry of bass, always
pushing the sound system’s capabilities to the limit and then some.

His genre busting reputation traces back to his heritage in black dance music, particularly reggae,
jazz and electro funk. Of course his early contributions to acid house and techno cemented his place
in dance music culture folklore but his sphere of influence also went deep into the beginnings of
drum ‘n’ bass, before coming full circle to today and his proto-acid sound, descended directly from
Detroit and Chicago.

An iconic name worldwide for sure, but it is as a forward-thinking pioneer that 20 years later A Guy
Called Gerald is still leading the way, one step ahead of the pack, shaping the future just like he
shaped the past.

AUSTRALIAN TOUR DATES

November 19th - Shine On Festival, VIC
December 3rd - Subsonic Music Festival, NSW

The 6th Borough Project is Craig Smith and Graeme Clarke. Their music is deep, soulful, funky and subtly energetic. With their roots in jazz, boogie and funk, and their tips in disco, deep house and warm tech, resisting the impulse to dance is impossible.

Craig has been on the DJ circuit for more than 20 years, including 10 years of hosting 'Audio Deluxe' at The Honeycomb in Edinburgh which saw big wigs like Masters At Work, Osunlade, Ashley Beedle and DJ Jazzy Jeff spinning tunes and partying. He's released a plethora of records on labels like EMI, Virgin, Jisco and Permanent Vacation, and scored plenty of high profile remix work including Roy Ayers, Moloko and Illya Rudman. He's a man that accepts no compromises, refuses to be cornered by genre and only plays the highest quality dance music.

Graeme has been one of the fastest rising names in deep house and disco re-edits over the past few years and continues to accelerate. Productions for his own labels Instruments Of Rapture, Five20East and his DJ edits for L.E.S.S. Productions have had across-the-board support from scene heavyweights including Danny Krivit, Prins Thomas and Todd Terje. His DJing is all the way up at the same standard, spinning alongside Jeff Mills, Cottam and Horse Meat Disco, and he was handpicked by DJ Harvey to play at the Miami Winter Music Conference.

As the 6th Borough Project the pair have released some stunning records on Delusions of Grandeur, Instruments Of Rapture and Jiscomusic to widespread acclaim. They released their debut album, One Night In The Borough, May 2011 - which mesmerised audiences with warm slow-mo deep house and smokey soulful disco cuts. Their technical brilliance coupled with a deeply instinctive understanding of what grooves and feels good make them one of the most exciting acts in dance music right now.

AUSTRALIAN TOUR DATES

December 23rd - Alloneword, Brisbane
December 26th - Sugar, Adelaide
December 31st - Mad Racket, Sydney
January 1st 2012 - Animals Dancing (@The Bridge), Melbourne

Andrew Weatherall is many things to many people.

One of the guys behind the seminal Boys Own record label; the almighty tastemaker that has compiled some of the most iconic releases of the last 15 years (9 O’Clock Drop on Nuphonic anyone?); the man that took Primal Scream and changed their sound and the sound of London clubbing and changed it for the better, for ever. Or the cool remixer of the 90s – for everyone from My Bloody Valentine to Bjork.

The producer that has made some of the most talked about cult releases that were widely listened to. From the Sabres Of Paradise to Two Lone Swordsmen and is now releasing under his own name and the killer “Andrew Weatherall Vs The Boardroom” releases on his label that he's been running since 2001 – The Rotters Golf Club.

The DJ that plays all the big clubs for all the big names – from Danny Rampling’s legendary 90s Shoom night (pretty much where Acid House started) to Robert Johnston’s in Frankfurt a couple of weeks ago, Andrew Weatherall is the DJ everyone amazing turns to when they want to call in a good head fucking.

He is still one of the most in-demand DJs in the world, already booked to headline the Electric Elephant, Croatia in 2012 and set to release his next artist album over the next months – there is no slowing down or changing tact for Weatherall, he will always be the true champion of the modern underground even if he dresses like his from the 1800s.

AUSTRALIAN TOUR DATES

January 12th - Sugar, Adelaide
January 13th - New Guernica, Melbourne
January 14th - Picnic @ Keystone Festival Bar, Sydney Festival

You may be most familiar with his name through his collaborations with Bulgarian housemeister KiNK, but there is a lot more to Neville Watson then some of the best goddamn records ever made.

After the obligatory few years partying in clubs, warehouses and fields he took up DJ’ing and opened the Mighty Atom record shop and label in Windsor. This path would ultimately lead to infamous Acid House disco Checkpoint Charlie where he was to became resident DJ alongside Mat Carter, sharing the bill with the likes of Laurent Garnier, Andrew Weatherall, Colin Dale, Craig Richards, Slam and many more.

In 2006 Mighty Atom released its final 12”. Since then Neville has concentrated on releasing his own brand of deep, raw and jacking House on labels such as Clone and Dissident, as well as Rush Hour, Poker Flat, Tiny Sticks and Mule with KiNK.

As a DJ Neville has played far and wide from sweaty basements in London and Moscow to the walls of an abandoned prison in Tallinn, visiting the main floors of Twilo, Berghain and Panorama Bar along the way.

AUSTRALIAN TOUR DATES

January 14th - Picnic @ Keystone Festival Bar, Sydney Festival